Set within transitional spaces, this project considers subjects whose identity is conditioned by early-age migration and continued movement. It explores a condition in which the body repeatedly perceives space, yet the self struggles to attach, leaving identity and its sense of spatial security unaffirmed.  

Socially indeterminate landscapes exist in a state of anticipation. In their transitional phase, they offer minimal social grounding, often defined by limited, labour-oriented engagement. Unfurnished interiors operate as an intimate psychological response. Positioned between similarity and difference, the interiors suggest a particular perception of space in which the body assimilates familiarity without resolution. 

Within these interiors, the body occupies a provisional position, orienting between environments that do not fully secure it, and a sense of self that struggles to stabilise. The diptychs omit direct narrative and instead foreground a monotonous rhythm, where external environments fluctuate, yet the internal condition remains, articulating an ongoing state of suspended migration.